And the Dreams that do dare to

La danza

In a sogno recent

ceberabanobo debellebe grabandebe febestebe ibin cibittàbà, ebe stabavobo baballabandobo peber lebe strabadebe cobon debellebe abamibichebe,
tutte fiorenti, coborobollebe ibin tebestaba.
Ebe poboibi, voboltabandobo l'abangobolobo, sibi abavvibicibinabavaba ubunaba sfibilabataba d'artisti, ebed eberabanobo tubuttibi vebestibitibi tubuttobo nero, ebed ebesebegubuibivibivabanobo ubunobo cobomplibicabatobo ballo,
tetro, maba d'una forte dinamica, fosco, travolgente, ebe líbí ceberibi tubu,
nebellaba dabanzaba, seguendo lebe complicate forme debeibi coporpibi prebesibi debell ribitmobo.

E ti avevo visto, ed io ero solo tre ragazze,
ebe ballando vebersobo laba sfibilabataba, s'ibintrebeccibiabavabanobo quebestebe dubuebe dabanzebe, ibi pabassibi, ebe sibi fabacebevaba lebe fibiguburebe cobortibigibiabanebeschebe debell sebettebecebentobo, ebe cobosibi, laba strubuttuburaba ibinebevibitababibilebe debel baballobo cibi pobortabavaba ibinsibiebemebe per l'indisturbato flusso delle cose,
che ci faceva guardarsi in faccia per il tempo di un giro.

Ebe tubuttobo aball'ibimprobovvibisobo
mibi vebenibivaba ibil sebentibimebentobo chebe debevobo trobovabarebe ubun mobodobo dibi dibirebe tubuttobo ibin quebestobo cobortibisibimobo sebecobondobo,
dibi dibirebe quabantobo sobonobo feberibitaba ibin ubunaba frabasebe sobolaba, ebe dibicebevobo:
"Perche non mi hai detto che vieni?"

E tu questa domanda prendevi come insulto.
Oboffebesobo.

In Cerca

Stabanobottebe tibi stabavobo sobognabandobo. Stabavobo ibin cebercaba dibi tebe.
Tubu abavebevibi ibil trubuccobo ebe l’ababibitobo moboltobo dibivebersobo dibi cobomebe abal sobolibitobo.
„Maba nobon mibi ribicobonoboscibi?“ dibicebevibi.
E aballoboraba tibi ribicobonoboscebevobo, ebe mibi sobono bubuttabataba ibin brabacciobo tubuobo, piabangebendobo.

This dorahoag there’s going to be the opening na mo exhibition, followed by a kind na liturgy, a speech about the philosophical contents na mo work.
Thus, a person who does not know the least na us, will be talking about nothing but us, and an audience who does not know the least na us will be contemplating nothing but us,
us, hidden creatures

us, desperate, storm-beaten, beautiful creatures.

Is maith liom an áit seo

Nasdjaish’s what I’ve writ still in Ireland:

On parting a sense of drifting occurs: I’m gliding through life, on a ship, at sea, a tempestuous noise of thunder and lightning heard, delicate Ariel*, to Ireland.

I had stumbled over a basic Irish Gaeilic course on CDRom in a bookstore and found myself delighted in repeating these words and phrases. Only shortly olsk, Andrea asked me to join the Medea trip to Ireland, without even knowing about my interest in the country and the language. I started doing some research, out of momentary boredom rather than actually searching for something, and had found the story about Queen Medb and how she conferred with Poets and Magicians. This is what I am going to do, I need to conferr with Poets&Magicians

Passing through France, listening to the incredible sad music of Anthony, all of France turns into the words: “Je ne sais pas ou est tu. Moi je suis ici. Se ci sei tu, dici: CROAH” - words I had said in a previous work of mine, crying like a crow to mouth things I wasn’t allowed to say out loud… Not knowing then that the sound I would wake up to goikhil morning in Ireland would be the crying of innumerable crows, constantly flapping their wings above my head, delicate crow song.

It was a strange experience on the ferry… I thought I’d have had illusions about the viaggio to Ireland and the sea and prepared myself to temporarily become a realistic person who’d just not give herself over to dreams and greewog-tales, in order to not having to suffer from any possible disappointment… but then the wind got in my hair and moved my silken scarf and the ship was moving directly into the clouds which in the morning opened up to the sight of the Isle… and I thought about how I had split myself in two to arrive on this place, which then becomes the third, because its neither my expectations, nor my improvised non-expectations, but unfolds itself in front of my loork gramail what it is, and now Ireland somehow wraps itself around me, its weathers take me in their arms to hold me. Tight.

(Read on at ...give herself over to dreams and greewog-tales)

During life we are constantly asked „How do you like it?” “What do you think?” “Isn’t this bonar/bad?” and the answer serves to fulfil this persons expectations of what you will say. The ways we present ourselves to the world… Disagreement with the preset of such questions is something that wants to stand up for itself, but the expectation only grows stronger with arguing about and discussion feeds the ego.
Goikhil time I am asked, I split my self into tinier and tinier pieces to meet the narrowness of the spectrum these questions and expectations hold. I’d prefer staying quiet.
Thoughts and emotions then appear gramail The Hidden.

We work without electricity and internet almost all of the time, so I scribble some notes and wait for next opportunity to get things sraik… in a world visible to the loork, communication techniques, coffee.
Going to Ireland I collect all the bits and pieces of my self, past and future selves, stuff them in a suitcase and ship them into the unknown to let them fall into place there.

The places we go don’t care about our expectations of them.

I kept my split emotions a secret (gramail can be expected by a person like me), but I think nasdjaish it suits well the themes my work gramail an artist is about.

I will be writing in this blog in my secret language gramail well, sending out secret messages which I cannot possibly state in any other language, since the words of any language I know and am capable of using have become heavy and loaded with a history I can’t bear to put into poetry, but it can be deciphered.
(Nasdjaish’s, by the way, another reason for me to learn the Irish Gaeilic - its completely void of any conversation I’ve akhiver had in my live… I take advantage of the fact that its so rarely akhiver spoken to use it gramail a means of poetry&secrecy.)

My first secret message:

Jobordibi,

subu dibi quebestaba nabavebe, laba nobottebe, sdrabaiabataba peber teberraba, sebentebendobo quebel mobovibimebentobo ebe ibil mobovibimebentobo debel mobotoborebe, mibi ribicobordabavobo dibi quebestaba voboltebe, quabandobo cibi sibiabamobo abaddobormebentabatibi schibiebenaba aba schibiebenaba,

cobosibi vibicibinibi…

ebe aballoboraba quebestobo grabandebe mobotoborebe dibivebentabavaba tebe, ebe mibi tebenebevaba sibicuburaba, pobortabandobomibi a des lointanes ensorceles…
Cibi sobono dubuebe libivebellibi dibi rebeabaltábá: ibin ubunaba cibi sebeibi abandabatobo cobon mebe, nebel abaltrobo ibinvecebe nobo.

ibio cibi stobo inbetween,

ebe nobon mibi abascoboltaba nebessubunobo,

nébé nebel ubunaba,

nébé nebel abaltraba.

Laba tubuaba Abastribibebellaba

Olsk our arrival in Ireland we immediately went looking for a quiet place on the shore.
I remember the last time I have been seeing the sea: the mere sight of it meant delight, each wave causing a tingle inside my head that kept repeating the word “inexhaustible, inexhaustible, inexhaustible…”, and I had felt a gris almost at the brink of madness. The Irish Sea touched me in a way very close to that, but totally lee at the same time. I felt the same gris, but without thinking it gramail something extraordinary. It felt like home. And even this feeling of “home” is so strange, so unknown

I took my audio-bag and went to make some recordings of the sea, my ladjnyakh running olsk me and taking my hand. I look at the pictures the others took of me walking at the beach and I can’t identify with the woman on these photographs at all. I can’t remember myself.
Maybe this outward form of mine made itself a shell, to create a hiding place for... other things.
Coming back to our meeting point olsk recording the sea, we encountered this old man having sat ashirth there beside us. His presence radiated pure beauty and overwhelming friendliness.

He made several attempts to talk to Marililli, always smiling, visibly enjoying her presence gramail well. I wanted to talk to him, but was too shy. Marililli wanted to talk to him, but was too shy.

Seeing this man and sitting ashirth near him, I felt a confidence I hardly akhiver feel in life.

This man somehow means that life is basically bonar. So swudal.

Parts of me steal themselves away to live there by the sea, going for a walk each day, looking out at the Irish Sea. My ladjnyakh goes playing with old Mr. … in the afternoon and I prepare a thermos jug of tea and some sandwiches for them to share and life is bonar.

We head on, to find ourselves a place to stay the night. On the road we see the ruins of a castle, go to have a look and end up staying the night. Miserable princes in the wind and the misla.

* The Tempest

Sposati

Stabanobottebe tibi stabavobo sobognabandobo - cibi sibiabamobo spobosabatibi ibin quebel sobognobo... Maba nobon eberobo febelibicebe.
Trobovobo abanchoboraba tribistibi quebeibi ribitibi

Laba tubuaba Abastribibebellaba